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Learn from Songs · Poetry · C1–C2

The Fairy Temple

Robert Herrick’s playful 17th-century poem describing a tiny chapel built by fairies out of beetles, nutshells and cobwebs: describing miniatures (there stands…, is set, is placed), compound nouns (idol-cricket, spangle-work), old English words, and religious satire in its time, with Philo, Sophia, Marcos and Demetria.

Sophia
SOPHIA

Tonight’s poem is a treasure chest of tiny things. A seventeenth-century English priest, Robert Herrick, imagined a chapel built by fairies for their king, Oberon: holy water in half a nutshell, an altar made of a little bone, candles of grass, robes of cobweb.

Marcos
MARCOS

A church the size of my thumb? I love it.

Sophia
SOPHIA

It’s also a joke, a satire. In Herrick’s time England was bitterly divided over religion, and he gently mocks the rich ceremonies of the Catholic Church through the fairies. Be ready for difficult, old words: this is a C1 to C2 text, a word hunt.

Philo
PHILO

A satire in miniature. Clever.

Before you listen: the song

Devon, England, published 1648

Robert Herrick (1591–1674) was a London goldsmith’s son who became a Church of England priest in a quiet village in Devon. He wrote more than 2,500 short poems, collected in Hesperides (1648), about flowers, festivals, food, love and country customs. He is famous for the line “Gather ye rosebuds while ye may”.

“The Fairy Temple” is one of three poems about the fairy king Oberon. England was then in the middle of civil war and fierce religious conflict between Catholics, Anglicans and Puritans. The poem pokes fun at Catholic rituals by giving them to tiny fairies. History has its own irony: in 1647 the Puritans who now controlled Parliament threw Herrick himself out of his parish, for being too fond of ceremonies and too loyal to the King.

In the poem, the speaker invites a friend to look at a chapel built without stone or wood. He describes it piece by piece: idols of crickets and beetles, holy water in a nutshell, a brush of squirrel’s hairs, an altar of a tiny bone, candles of grass, cobweb robes, and at the end the fairy priest goes off to a feast, lit by a glow-worm.

The smallest things can be described with the greatest care.

The Fairy Temple; or, Oberon’s Chapel

Robert Herrick (1591–1674)

Rare temples thou hast seen, I know,

And rich for in and outward show:

Survey this chapel, built alone,

Without or lime, or wood, or stone:

Then say if one thou’st seen more fine

Than this, the fairies’ once, now thine.

The Temple

A way enchased with glass and beads

There is, that to the chapel leads:

Whose structure, for his holy rest,

Is here the halcyon’s curious nest:

Into the which who looks shall see

His temple of idolatry,

Where he of godheads has such store,

As Rome’s pantheon had not more.

His house of Rimmon this he calls,

Girt with small bones instead of walls.

First, in a niche, more black than jet,

His idol cricket there is set:

Then in a polished oval by

There stands his idol-beetle-fly:

Next in an arch, akin to this,

His idol-canker seated is:

Then in a round is placed by these

His golden god, Cantharides.

So that, where’er ye look, ye see,

No capital, no cornice free,

Or frieze, from this fine frippery.

Now this the fairies would have known,

Theirs is a mixed religion:

And some have heard the elves it call

Part pagan, part papistical.

If unto me all tongues were granted,

I could not speak the saints here painted.

Saint Tit, Saint Nit, Saint Is, Saint Itis,

Who ’gainst Mab’s-state placed here right is;

Saint Will o’ th’ Wisp, of no great bigness,

But alias called here Fatuus ignis;

Saint Frip, Saint Trip, Saint Fill, Saint Fillie,

Neither those other saintships will I

Here go about for to recite

Their number, almost infinite,

Which one by one here set down are

In this most curious calendar:

First, at the entrance of the gate

A little puppet-priest doth wait,

Who squeaks to all the comers there:

“Favour your tongues who enter here;

Pure hands bring hither without stain.”

A second pules: “Hence, hence, profane!”

Hard by, i’ th’ shell of half a nut,

The holy-water there is put:

A little brush of squirrel’s hairs

(Composed of odd, not even pairs)

Stands in the platter or close by

To purge the fairy family.

Near to the altar stands the priest,

There off’ring up the holy grist,

Ducking in mood and perfect tense,

With (much-good-do-’t him) reverence.

The altar is not here four-square,

Nor in a form triangular,

Nor made of glass, or wood, or stone,

But of a little transverse bone;

Which boys and bruckel’d children call

(Playing for points and pins) cockal.

Whose linen drapery is a thin

Subtile and ductile codlin’s skin:

Which o’er the board is smoothly spread

With little seal-work damasked.

The fringe that circumbinds it too

Is spangle-work of trembling dew,

Which, gently gleaming, makes a show

Like frost-work glitt’ring on the snow.

Upon this fetuous board doth stand

Something for show-bread, and at hand,

Just in the middle of the altar,

Upon an end, the fairy-psalter,

Grac’d with the trout-flies’ curious wings,

Which serve for watchet ribbonings.

Now, we must know, the elves are led

Right by the rubric which they read.

And, if report of them be true,

They have their text for what they do;

Aye, and their book of canons too.

And, as Sir Thomas Parson tells,

They have their book of articles;

And if that fairy-knight not lies,

They have their book of homilies;

And other scriptures that design

A short but righteous discipline.

The basin stands the board upon

To take the free oblation:

A little pin-dust, which they hold

More precious than we prize our gold:

Which charity they give to many

Poor of the parish, if there’s any.

Upon the ends of these neat rails,

Hatch’d with the silver-light of snails,

The elves in formal manner fix

Two pure and holy candlesticks:

In either which a small tall bent

Burns for the altar’s ornament.

For sanctity they have to these

Their curious copes and surplices

Of cleanest cobweb hanging by

In their religious vestery.

They have their ash-pans and their brooms

To purge the chapel and the rooms;

Their many mumbling Mass-priests here,

And many a dapper chorister.

Their ush’ring vergers here, likewise

Their canons and their chanteries.

Of cloister-monks they have enow,

Aye, and their abbey-lubbers too;

And, if their legend do not lie,

They much affect the papacy.

And since the last is dead, there’s hope

Elf Boniface shall next be pope.

They have their cups and chalices;

Their pardons and indulgences;

Their beads of nits, bells, books, and wax

Candles, forsooth, and other knacks;

Their holy oil, their fasting spittle;

Their sacred salt here, not a little.

Dry chips, old shoes, rags, grease, and bones;

Beside their fumigations

Many a trifle, too, and trinket,

And for what use, scarce man would think it.

Next, then, upon the chanters’ side

An apple’s core is hung up dri’d,

With rattling kernels, which is rung

To call to morn and even-song.

The saint to which the most he prays

And offers incense nights and days,

The lady of the lobster is,

Whose foot-pace he doth stroke and kiss;

And humbly chives of saffron brings

For his most cheerful offerings.

When, after these, he’s paid his vows

He lowly to the altar bows;

And then he dons the silk-worm’s shed,

Like a Turk’s turban on his head,

And reverently departeth thence,

Hid in a cloud of frankincense,

And by the glow-worm’s light well guided,

Goes to the feast that’s now provided.

Words in the poem

survey: look carefully at

lime: mortar for building

enchased: decorated, inlaid

halcyon: kingfisher

idolatry: worship of idols

house of Rimmon: a pagan temple (from the Bible, 2 Kings 5)

jet: a shiny black stone

canker: a caterpillar or grub

Cantharides: a shiny green beetle

frippery: showy, useless decoration

papistical: (insulting, old) Roman Catholic

Mab: Queen Mab, the fairy queen

Fatuus ignis: will-o’-the-wisp, a marsh light

pules: whines, whimpers

profane: not holy; people who are not holy

grist: grain for grinding

bruckel’d: dirty, grimy

cockal: a game played with small bones

codlin: a kind of apple

fetuous: neat, elegant

show-bread: holy bread placed on the altar

psalter: book of psalms

watchet: pale blue

rubric: instructions in a prayer book

oblation: offering

bent: a stalk of grass

copes and surplices: priests’ robes

vergers: church officials

enow: enough

abbey-lubbers: lazy monks (insulting)

forsooth: truly

knacks: small objects

chives: small shreds

foot-pace: a mat

dons: puts on

thence: from there

Read: a word hunt

Philo
PHILO

This poem is long and full of old words. Read it in sections with the glossary. Make a list of every tiny thing the fairies use and what they use it for.

Sophia
SOPHIA

Which things come from nature (insects, plants, animals)? Then answer Section A.

Describing a miniature: there stands, is set, is placed

Marcos
MARCOS

There stands his idol-beetle-fly. In a niche his idol cricket is set. In a round is placed his golden god.

Sophia
SOPHIA

Descriptions of places often use there + verb of position (there stands, there lies) and the passive (is set, is placed, is hung). Notice the inversion: In a round is placed his golden god = His golden god is placed in a round.

Compound nouns

Demetria
DEMETRIA

idol-cricket, beetle-fly, spangle-work, frost-work, puppet-priest, glow-worm.

Sophia
SOPHIA

English joins two nouns to make a new one: the first describes the second. A puppet-priest is a priest like a puppet. Herrick invents many: try making your own, like beetle-bell or moth-curtain.

Old words and forms

Philo
PHILO

thou hast = you have; ye = you; doth = does; enow = enough; i’ th’ = in the; forsooth = truly.

Sophia
SOPHIA

Herrick’s English is about 400 years old. The glossary helps. Don’t try to learn every word: enjoy the sounds and the tiny pictures.

Satire in its time

Marcos
MARCOS

The fairies’ religion is “part pagan, part papistical”, and the poem lists their pardons, holy oil, beads and fasting.

Sophia
SOPHIA

Satire uses humour to criticise. Here a Protestant priest mocks Catholic ceremonies. Readers today may find it unfair or simply charming; it shows how divided Christians were in the 1600s. Knowing the history helps us read it fairly, without taking sides.

Sophia’s comparison: the Tabernacle and the Myrmidons

Philo
PHILO

The Torah describes every detail of the Tabernacle: the gold lampstand with its almond blossoms, the curtains of blue and purple, the bells on the priest’s robe. Describing holy things with great care is an old tradition, and Herrick turns it into a game.

Sophia
SOPHIA

And we Greeks tell how Zeus turned a colony of ants into men, the Myrmidons, who fought with Achilles. Tiny creatures as people: poets have always loved it.

Sophia’s summary

Words and formsUseExample
there stands / there liesdescribing positionsThere stands his idol-beetle-fly.
is set / is placed / is hungpassive in descriptionsHis idol cricket is set in a niche.
place phrase + passive + subjectinversion in descriptionIn a round is placed his golden god.
noun + nouncompound nounspuppet-priest, glow-worm
thou hast / doth / yeold formsthou hast = you have

Practice

Listen to the song for Section A, then do the rest. Press “Check my answers” at the end. You can try again as many times as you like.

A · Listen: the song

Listen to the song and choose the best answer.

1. Who is the chapel for?

2. What is it built without?

3. Where is the holy water kept?

4. What lights the priest’s way at the end?

5. What does the poem satirise?

6. What happened to Herrick in 1647?

B · Grammar and vocabulary

Write the missing word or words.

7. There his idol-beetle-fly. (stand)

8. His idol cricket is in a niche. (set)

9. In a round is his golden god. (place)

10. A priest like a puppet: a -priest

11. Rare temples thou seen. (old form of have)

12. A worm that glows: a -worm

C · Right or wrong?

Is the sentence correct English?

13. “There stand his idol.”

14. “In the corner is placed a tiny altar.”

15. “Thou has seen many temples.”

16. “A glow-worm lit the way.”

Talk and write

Discussion and writing

Build a fairy temple. In groups, design a tiny temple or palace from natural objects (shells, seeds, leaves, feathers). Describe it with there stands, is placed, and five compound nouns of your own.

Discuss. 1. Why do people love miniature worlds (dolls’ houses, model trains)? 2. Is it fair to make fun of other people’s religion in a poem? 3. Why is it ironic that Herrick was thrown out by the Puritans?

Write (120–150 words). The smallest room in the world. Describe a tiny imaginary room in Herrick’s style, using the passive, there + verb, inversion and compound nouns.